Past Episodes:
Vinson Cunningham on Standing Athwart Time
“I have been obsessed and intrigued all my life with how writers think this country through.”
Meghan O’Rourke on The Stories We Hide From Ourselves
“I don’t know if you’ve ever had an experience of writing something that you’re very compelled to write without fully understanding it…”
Rumaan Alam on Entitlement
“It’s a book about reality, about the fact that you don’t ever know what’s going to happen to you, and literally nothing you do can protect you. And that’s such a crazy thing to say, but it’s true. And we all know it.”
Maira Kalman On the Art of Starching the Sheets
“I was observing somebody doing something beautifully and doing something with all of her heart. It wasn’t lost on me that that was a way of being an artist.”
McKenzie Wark on Finding a Better Fiction
“We are always fictions that we create for ourselves and others. So that gives you a different way of thinking: Like, what’s a better fiction?
J Wortham on Finding a New Name
“I wasn’t beholden to anybody. And at a certain point I was like, I’m not even beholden to myself. So who am I trying to people-please? Because nobody out here is checking for me. And that was really freeing.”
Barbara Brandon-Croft on Being the First
“Being the first black woman to be in the mainstream press as a cartoonist, I kind of felt like I broke down the door and then I stood in the doorway.”
Sarah Thankam Matthews on a Near-Drowning
“When I was writing I would remember the feeling of being in the waves, but the memory was less encoded as helplessness and fear and more the sense of: you’ve done difficult things before, you lived, you lived for a reason.”
Layli Long Soldier on the Work of Creative Liberation
“Creativity is, as they say, a practice. You have to learn the ways to access it and to you use it and to keep it vibrant and keep it alive.”
Hari Kondabolu on Searching For His Reflection in Comedy
“I stood out like a sore thumb. Not even a sore thumb, just a brown thumb. I didn’t need to be sore. It was just that, that’s a perfectly fine thumb, but it’s a different pigment.”
Angie Cruz on the Character Who Came To Her in Transit
“I said, I will only listen to Cara Romero when I’m commuting. It was like a game—some people play Wordle, I was playing the game with Cara Romero.”
Chani Nicholas on Finding Herself in Astrology
“I have a really hard time being anything but who I am. That’s a very fortunate and very unfortunate quality about me.”
Reintroducing (Guest Host!) Mira Jacob
“I thought of those people who, whether I know them well or not, have offered to me another piece in this map of how to stay in relationships with other people and find a way forward, which is something I have truly missed about life.”
Hafizah Geter on a Story To Make Yourself Whole
“In community is how we survive. That’s how Black people survive. The joy comes when we’re in community.”
Sam Lipsyte on Realizing No One F*cking Cares
“I realized no one cared and I could do what I wanted. I realized, even the people who loved me— they were not waking up in the morning worrying about my relationship to the short story. Whatever I did, it would be just for me.”
Heather Radke on the Profound, Unruly Butt
“Our bodies not going to let us be interchangeable parts on a car. That’s not how it works.”
Alyssa Songsiridej on the Freedom of Alienation
“I didn’t develop my own instincts about what I wanted or what being good actually meant to me. I kind of reached this point where I felt like I was reaching the limits of that, and I needed to do something else, but I couldn’t figure out what.”
Asali Solomon on the Unexpected Laugh
“I just remember thinking that I wasn’t sad that they were laughing. And that actually the best thing you could do with a piece of fiction was make somebody laugh.”
Saeed Jones on Evergreen Grief
“Grief distorts your relationship to time. The past and the present and the future get muddled.”
Alex Marzano-Lesnevich on The Fact of a Ghost
“The stakes [in this book] are whether or not I can make this claim to an identity that extends beyond the present moment and that is historical. That I can make this claim as part of a community whose members have often been made into ghosts.”